In culture after culture, people believe that the soul lives on after death, that rituals can change the physical world and divine the truth, and that illness and misfortune are caused and alleviated by spirits, ghosts, saints ... and gods.

STEVEN PINKER, How the Mind Works

Wednesday, October 23, 2013

The Sea Hag of Bell Island

A supernatural Sea-Hag haunts a Bell Island's Dobbin's Gardens marsh.

Newfoundland's Bell Island is a place steeped in mysteries and legends. These are legends not merely passed down through the generations, but encountered first hand. They mainly revolve around Dobbin's Garden and the nearby marshes. They are stories of an Irish legend, the Banshee, a female spirit appointed to inform families of impending death. She comes in two forms: a beautiful woman in white, and a deformed old hag. Most encounters circle around the latter. Men have been known to walk through the small marshes, only to come out days later, not knowing where they are, or where they had been. They can only remember a putrid smell, and a grotesque old woman, in ragged clothes, crawling towards them from the bushes, forcing them to the ground with the smell of death.

Saturday, October 12, 2013

A Brief History Of The Ouija Board

As a method of supposed communication with the spirit world, the Ouija board has terrified countless slumber partying children and served as a plot vehicle in a number of Hollywood films. Here’s where it came from.


Ouija boards have their roots in Spiritualism, which began in the United States in the late 1840s. (Claims that ancient Ouija boards existed are unfounded.) The new movement was led by mediums, who claimed to be intermediaries between the living and the dead.
There were a number of ways mediums made followers believe that they were communicating messages from those who had passed. One, table turning, involved the table moving or knocking on the floor in response to letters called out from the alphabet. Another method used planchettes, heart-shaped devices with two wheels at one end and a pencil at the point; users would place their fingers on the device, which would then be guided by spirits who would “write” messages.
Both methods were problematic. Table turning took too long, and planchette writing was hard to decipher. According to the Museum of Talking Boards, some mediums got rid of these methods altogether, preferring to channel while in a trance, while others built complicated tables, dials, and tables painted with letters that required people to use a planchette as a pointer. This method became the most popular—and paved the way for the Ouija board.


In 1886, the New York Daily Tribune reported on a new talking board being used in Ohio. It was 18 by 20 inches and featured the alphabet, numbers, and the words yes, no, good evening, and goodnight; the only other necessary object was a “little table three or four inches high … with four legs” that the spirits could use to identify letters. The brilliance of the board was that anyone could make it—the tools suggested in the article are “a jack-knife and a marking brush."
Operating the board was similarly easy:
You take the board in your lap, another person sitting down with you. You each grasp the little table with the thumb and forefinger at each corner next to you. Then the question is asked, ‘Are there any communications?’ Pretty soon you think the other person is pushing the table. He thinks you are doing the same. But the table moves around to ‘yes’ or ‘no.’ Then you go on asking question and the answers are spelled out by the legs on the table resting on the letters one after the other.
(Of course, any messages generated probably weren't from spirits; instead, they were likely a result of the Ideomotor effect. This psychological phenomenon was first described in 1852 by William Benjamin Carpenter who, in a scientific paper analyzing how talking boards worked, theorized that muscular movement can be independent of conscious desires.)


These types of talking boards became very popular, and in 1890, Elijah Bond, Charles Kennard and William H.A. Maupin had the idea to turn the board into a toy. They filed the first patent for a game they called the Ouija board, which looked and operated much like the talking boards in Ohio; the patent was granted in 1891. The name, according to Kennard, came from using the board, and was an ancient Egyptian word meaning “good luck.” The Kennard Novelty Company manufactured the boards, which were made of five pieces of wood across the face braced by two vertical slats on the back; they retailed for $1.50.
Kennard left the company in 1891, and the Kennard Novelty Company became the Ouija Novelty Company.William Fuld, an employee there, eventually took over production of the boards; in 1901, he began making his own boards under the name Ouija, which Fuld said came from a combination of the French and German words for “yes”—the etymology that is accepted today.
Fuld would go on to design many different versions of the board (he holds more Ouija patents and copyrights than anyone else in history—a grand total of 21 registrations in three countries—including the design for the modern planchette). Because of the board’s huge success, a number of competitors to tried their hands at creating their own Ouija-like devices. Fuld sued many of those copycats, right up until his death in 1927.
In 1966, Fuld’s estate sold the family business—which included more than just Ouija boards—to Parker Brothers, which manufactured the modern boards as we know them today. In 1991, Parker Brothers was sold to Hasbro, which now holds all the Ouija rights and patents (and might even make a movie based on the game).